With a passion for oil painting, artist Duong Ngoc Son has continuously sought and expressed his emotions onto the toile.

At first he focused his feelings on still life. With a subtle, skillful painting style and an exclusive way of selecting and using colors, he searched for and expressed his own stories and states when facing simple things like a conical palm hat, a pomelo, a mangosteen, a bamboo bed, a smooth folded satin strip, a pure lotus flower, or an old pottery vase. However, his still-life paintings almost have full of inanimate objects as though they would appear from the paintings. The background is often dark brown but it seems to echo through the thin layers of colors. Perhaps these are hidden signs for later changes in Duong Ngoc Son’s paintings.

In fact, from realism and the passion for the appearance and tranquility of objects, he suddenly shifted to the love of expressing his impressions upon the colorful nature. It is like a man who wants to reveal his mind after having devoted to his own introspection.

Although following impressionism, Duong Ngoc Son has made his paintings different from other impressionistic paintings with women in ba ba (Vietnamese traditional costume) or in white ao dai (Vietnamese traditional dress), which are typical things of Vietnam, his homeland.

aintings are those who actually love his paintings and can share his feelings instead of buying a trademark work. The concept of ranking sometimes hinders the takeoff of the soul of a real artist.

Duong Ngoc Son’s paintings clearly reflect their owner, who is simple and honest but determined, open and innocent but profound. For him, flowers, leaves and grass are not graceful and charming but hot, bustling and noisy. Similarly, Duong Ngoc Son has dedicated himself to painting consciously in his unconsciousness.

His paintings are known by audience all over the world and presented in local and overseas galleries or exhibitions under the form of collection.

His main theme is beloved nature. Nature is found in streets with the primary palette of pinky purple. His paintings are recognized easily through many canopies of bright red-flowers in summer sunlight or a clump of purple flamboyant in early fall wind. There are mossy gates and tiled roofs in his paintings and also a facade of an old town which is visited by beautiful ladies in pure and white tunic, “ao dai” or many flower shops displaying an eventful life-style in cities.

The most impressive paintings are about nature in countryside. These paintings reveal his soul in blue and green which direct us to a vast green rice-field. There are many cottages and villages behind a rampart of bamboo and pathways or waterways to compose a lively and poetic scenary of the country life.

The theme is highly expressed through lotus ponds during blooming season. It is not limited to a door-frame but extended to an open space of sky where lotus is blooming. Thanks to his skillful layout in meandering brushstrokes, the surface of water becomes visionary. Both the blue of water and the white of clouds reflected on water make the green of lotus leaves lively but dreamily. This is the most successful painting by Son when he tries to represent the beauty of his country’s nature.

By his fine view, Son has utilized dimension properly. His paintings about nature is different from others because he can represent streets crowded without cramped and pastoral scenery immense without dilute. Working people is the subject of his emphasizing brushwork, profoundly and softly. The brushwork is strong, active and flexible as well as the colorful palette guiding audience to a nature’s love in a modern life. Is this the firm stuff of artist Duong Ngoc Son?

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Author's Bio: 

Supply for overseas galleries and sell Vietnam original paintings for collectors