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Browse published articles attributed to Nancy Daniels, with full-archive search.
When we hear the word nasality, we tend to think of New York City and her 5 boroughs. Excessive nasality is not limited just to New Yorkers though. I have found various forms of nasality common in certain pockets of both the United States and Canada. If you are from Philadelphia, Detroit, or ...
The last thing you want in public speaking is to leave your audience abruptly hanging without the knowledge that you have concluded. In my previous article, I discussed the need for signaling the end of your talk. The 2nd criterion, however, involves reinforcing your central idea. The most common closings are: 1. Briefly Summarizing Your Development. If you have a few subtopics, then you could end your speech or presentation by briefly listing those subtopics which all serve to reinforce your main topic.
If you are soft-spoken, how do you think others judge you? Do you think they regard you as being confident, assertive, and self-assured? If you are conce ed about the image you project, then your soft-spoken voice is definitely not projecting those qualities. Instead, your lack of volume is ...
You are standing in front of an audience. Your knees and hands are shaking; your heart is pounding in your ears and in your cheeks; sweat has formed on your brow; your lips are quivering. If all of that isn’t bad enough, when you open your mouth to speak, the voice that results is quivering or shaking as well. If this has happened to you, rest assured that there is help. Below are 5 tips that can change you from looking and sound like a timid, nervous Nellie to one who sounds confident and in control.
While fear of public speaking is the first major hurdle for many who must address an audience, breathlessness is most definitely the second. It is surprising how many people are affected by this easily remedied problem.
Neither is correct. The voice that is too loud hurts the listeners' ears -- the voice that is too soft is not being heard. In both cases, the message is being lost because listeners are unable to focus and it all boils down to volume. I just received an email from a Public Speaking Forum in which the writer was questioning what to do with her client's loud voice. The responses from those who are professional speakers, as well as some who teach presentation skills, were interesting and varied -- none of which I would recommend.
Nothing is more frustrating for me than listening to those who talk through their nose. And, you don’t have to be from New York to speak with excessive nasality. There are various pockets both in the United States and Canada where nasal talk is the norm. If you are plagued by too much nose, consider changing that habit because it is irritating for your listeners. Learning to speak with less nasal ‘qualities’ is easier than you may think. It requires retraining your inner ear to recognize the excess and enunciating your words lower in your mouth.
Recently, I read an article about improving your voice in 7 days. While I do not agree with the writer’s suggestions or methodology, the truth is that you can actually find your ‘real’ voice in about 1 hour. Admittedly, your ‘real’ voice will not be a habit in only 60 minutes, but one of the fascinating results about the correct approach to voice training is that you will begin your hour with your old or habitual voice and you will end that hour with your real one.
As A voice specialist, I teach people not only how to improve the sound of the speaking voice but also how to be a dynamic public speaker. Below are listed the 5 most important things you should do that will allow you to control your nervousness as well as deliver a dynamic presentation. ...As A voice specialist, I teach people not only how to improve the sound of the speaking voice but also how to be a dynamic public speaker. Below are listed the 5 most important things you should do that will allow you to control your nervousness as well as deliver a dynamic presentation.
It has been interesting for me to hear how many people think they have a nasal voice when in fact they do not. The reason this happens is because the voice they hear in their head when they speak (which is how they think they sound) is deeper in pitch than the one they hear on their answering machine, voicemail, or some other form or recording equipment. And, once they hear their recorded sound, the higher pitch makes them believe – rightly or wrongly – that their voice exhibits nasality.
There is nothing more frustrating than having people ask you to repeat yourself because they did not hear what you were saying. There are several reasons why this may be happening: you may be soft-spoken; you may have an accent in which you are not enunciating your words clearly; or, you may ...
Torture is sitting through a long-winded speech in which the presenter is staring at his/her notes on the lectern, focused entirely on reading to the audience. My feeling is that if you are going to read something to me – and I’m not attending a reading at the library or Barnes and Noble – then why not copy it, pass it out, and we can all go home or back to work. Better yet, email it to me! Public speaking means communicating with your audience. It is a live venue, the sole purpose of which is to speak to a group of people.
At a workshop I was holding in Toronto, one of the participants proceeded to deliver part of a rote, memorized persuasive presentation. This man, who I will call Bill, told us that he was a ‘professional’ speaker and that his presentations lasted 90 minutes. Luckily for us, he was only allowed to speak for 8-9 minutes; however, it took just 5 minutes of his memorized script for the attention of the group to begin to fade, as their eyes glazed over. What was so interesting about Bill’s delivery was that at one point, he forgot a word.
If you answer the phone and the caller asks to speak to your mother, you might want to consider voice training in order to add some ‘years’ to your voice. Not that I want you to sound old. I don’t. Good voice training means that you will no longer sound like a teen or pre-teen. Instead, you will sound mature. Not too old, not too young, ageless. You have a better voice inside. It is just a matter of discovering where that voice is. Located inside your chest cavity, your ‘real’ voice is deeper in pitch and warmer in quality.
There is nothing more frustrating than listening to someone who speaks with an excess of nasal sound. In a study done some years ago on how people react to a nasal voice, it was reported that it is frequently associated with less-than-average intelligence and a sign of immaturity. Ridding yourself of excess nasal sound is not difficult; however, you will need to practice and retrain your inner ear to recognize the difference between what is nasal and what is not. (See my former article - Do You Know Which Sounds Are True Nasals? - in which I discuss both types of sound.)
If you are a member of a business or social organization, such as the Lions, the Rotary, a chamber of commerce, BNI or another type of leads or referral group, there is the possibility that you will be responsible for introducing a speaker at one of your meetings or functions. Known as the introductory speech, there are 4 things you need to do to accomplish your goal effectively. 1. Keep it brief. While your role is important, your audience is there to hear the person you are introducing, not you. Consider yourself the conduit between your audience and the speaker.
There is no doubt that when I write about volume, I talk more about the soft-spoken voice because lack of volume is much more common than too much. Those who are too loud, however, are just as difficult for the listener as the former. A loud voice is hard on your listeners’ ears. There is nothing more frustrating for those on a cell or a landline who must move the receiver away from their ear.
When you listen to the greats, like James Earl Jones, Julia Ormond, George Clooney and Diane Sawyer, one characteristic which they all share is that their voice vibrates in their chest when they speak. While everyone vibrates in the area directly below the vocal folds, as well in the throat, mouth, and nasal cavities, those who power their voice by means of their chest cavity actually feel vibrations in their mid-torso region. Does it matter whether you vibrate in your chest or not? Only if you want a warm, rich, resonant sound.
It never ceases to amaze me the number of people who are so conce ed with their visual image, watching their weight, working out, donning the most recent style of clothing, and yet are totally in the dark when it comes to the sound of their speaking voice. If you are plagued with a voice that is nasal, whiny, high-pitched and thin, you are not doing justice to your visual image. People recognize you by the sound of your voice. Unfortunately, how you think you sound and how you actually sound are two different ball games.
Many people suffer from chronic hoarseness, sore throats and even loss of voice; and, most of these people do so because of misuse of the speaking voice. It is common; it is world wide; and, it is a growing concern.
Through the years, I have been amazed at how many people are totally unaware that they have a richer, warmer, resonant, and even sexier speaking voice inside. Most people believe that the voice they are using out of habit is something they cannot change. Nothing could be further from the truth. Unless you are already powering your voice from your chest cavity, you do have a better voice inside. There are some changes on the ‘before’ and ‘after’ video clips of my clients that are so dramatic you might think it was two different people speaking.
If you are looking for answers when it comes to improving the sound of your speaking voice, there are 3 things you should seek in your training because there are sseveral different approaches. You will find articles, books, CDs, and DVDs all promising to improve your voice. Which approach is the best? Many courses in voice offer various exercises for you to practice in order to change or eliminate the characteristics which you don’t like.
The Super Bowl is fast approaching and there is one result that I can predict: hoarseness and sore throats. Some may even experience loss of voice by the end of the night. This problem is known as vocal abuse and it can lead to serious problems for your speaking voice. There are those who can yell or shout on a daily basis and never do any damage. The majority of the population, however, cannot.
When most people speak, they power their voice by means of their voice box and throat. To a lesser extent, the mouth and nasal cavities are also acting as resonators, aiding in the production of voiced sound. And, of course, you probably think this is normal. It may be normal for you but, in truth, there is a resonator that is missing in this picture.
While you may not think that nervousness is beneficial in public speaking or for that matter in any other type of live performance, be it in the performing arts or in professional sports, the truth is that there are wonderful bonuses of the dreaded adrenaline rush. Many people, however, are unable to appreciate just what nervousness can do for them, because they have no control over it. In truth, I would rather an individual be nervous in public speaking than not because nervousness or the increased level of stress actually increases your chances of success at the lectern.
With all the articles written on nervousness in public speaking, I thought I would approach this topic from a different perspective. Everyone gets nervous in public speaking (or should). There is a reason why it is man’s greatest fear. The questio I would like to ask you is what is the one thing that conce s you the most when you are scheduled to speak? Your answer cannot be dying while public speaking because that has never happened and I don’t think you will be the 1st one to get that title!
Are you frustrated because others constantly ask you to repeat yourself? Especially because you think they should have heard or understood you the 1st time? If you frequently hear, “What did you say?” then maybe it is time for you to discover exactly why your message is not being received. There are only 3 possibilities for someone to ask you to say it again.
If you are looking for a means in which to practice your presentation skills in front of an audience on a weekly basis, then you should consider joining Toastmasters. According to Wikipedia, “Toastmasters International is a non-profit educational organization that operates clubs worldwide for the purpose of helping members improve their communication, public speaking and leadership skills.” There are a lot of reasons that I find this organization of value. 1. It is inexpensive to be a member. 2. Its members all share the same goal.r
Through the years, I have been amazed at how many people are totally unaware that they have a richer, warmer, resonant, and even sexier speaking voice inside. Most people believe that the voice they are using out of habit is something they cannot change. Nothing could be further from the truth. Unless you are already powering your voice from your chest cavity, you do have a better voice inside. There are some changes on the 'before' and 'after' video clips of my clients that are so dramatic you might think it was two different people speaking.
I recently had the opportunity to hear a world-renowned public speaker and was surprised as well as disappointed by his delivery. While his message was excellent, his means of delivering that message would have gotten him a C- in my college public speaking class. Without a doubt, content is important in any form of public speaking; however, if your entire script is written out word-for-word in your PowerPoint presentation, why bother? It would be a better use of the audience’s time if you would Xerox it, pass it out, and then everyone can go home!
When I show my clients how to find their 'real' voice, the first order of business is to make sure that their jaw is relaxed. This is important because if the jaw is clenched, you will not be able to make the change. Whereas tension in the neck and shoulder regions is much more common in woman - probably about 95% - a tight jaw can be found equally among men and women.
With all the articles written on nervousness in public speaking, I thought I would approach this topic from a different perspective. Everyone gets nervous in public speaking (or should). There is a reason why it is man’s greatest fear. The questio I would like to ask you is what is the one thing that conce s you the most when you are scheduled to speak? Your answer cannot be dying while public speaking because that has never happened and I don’t think you will be the 1st one to get that title!
As a child or a teenager, how many times did you say to yourself, “I will never say or do that which my mother is saying or doing?” Many of us can certainly testify to that statement; however, my question to you is not the words your mom may have used but the actual sound of her speaking voice. Our genetic heritage means that we will sound like our same-sex parent if the relationship in our early developmental years was a loving and nurturing one. Our environment and our community also help shape the voice.
Do you find that people do not pay as much attention to you as you might wish? Does you voice trail off at the end of your sentences, leaving your listeners struggling to understand what you are saying? Maybe the sound of your voice is strident and irritating or perhaps you speak so softly that your words go unnoticed.
I once met a man who told me that his soft-spoken voice made others become quiet and pay attention to him. It took everything in my power not to laugh in his face. In today’s loud, fast-paced, hectic world, being soft-spoken is definitely not a strength, especially in America. To be constantly asked to repeat yourself is one of the reasons others take over the conversation. Imagine watching a movie and the volume is not quite loud enough to be able to understand the actors’ words. That is exactly what is happening when you speak and others cannot hear you.
A Better Voice is Just a Breath Away The number of people looking for information, books, CDs, and seminars on self-improvement is staggering. Ever conce ed with honing our business skills, improving the image we project, feeling good about ourselves, juggling jobs and family…we are all on ...
When addressing an audience, there is nothing more embarrassing than opening your mouth to speak and the voice that comes out is high in pitch and shaking to boot! The shaking is known as a quiver and it can happen even when you’re not nervous. If your voice is quivering when you’re nervous, rest assured that you are not alone. It happens to a lot of people and it is the result of poor voice placement exacerbated by your nervousness.
The other day I was reading an article about stress written by Health Information Publications and I was delighted to see that the medical professionals really do understand the value of diaphragmatic breathing in the elimination of stress. Most of the articles on stress that I have encountered on the internet place little, if any, importance on this simple, healthy technique.
Do others often ask you to repeat yourself because they don’t understand you? If you are a man, it is possible that you mumble. Mumbling is easy to recognize: sound is definitely coming out of the mouth however the lips are not moving. if you are a woman, on the other hand, then it is more likely that you have a tight jaw, in which the lips are moving but the jaw is not. In both of these cases, one’s diction is difficult to understand because the words are not being articulated clearly.
In today’s hectic, competitive world, image is something that you are probably conce ed about. Be it your physical appearance or the content of what you say, you know that the person you project to the world matters. However, have you ever considered what the sound of your speaking voice is saying to your listeners? - If you know, for example, that you speak in a monotone, what is the image you are projecting? - If you sound like a 12-year-old and you are over 21, what is your voice saying about you?r
While everyone recognizes a nasal voice in which excessive sound is traveling through the nose while speaking, many are unaware of the opposite extreme known as denasality. When you are congested or if you suffer from allergies, often the result is a voice in which little or no sound is able to be carried through the nasal passages because they are inflamed and swollen. Recently I spoke to a young man named Jason whose voice exhibited both characteristics. In addition, the pitch of his voice was unusually high for a man.
Imagine standing at the lectern. You see the many smiling faces of those in your audience. Your countenance, however, says anything but that you are glad to be there. While you may not be thrilled at the prospect of giving that speech or presentation, if your face displays your displeasure, how enjoyable will your delivery be for those who are in attendance? If you read most articles and books on the subject of public speaking, they will tell you that there are only 3 reasons for public speaking: to entertain, to inform, or to persuade.
While knowledge of your speech or presentation is invaluable in public speaking, if you are unable to speak from your heart, then all your knowledge is for naught. The best in public speaking are those who are able to excite, captivate, and enthrall their listeners. And, none of those adjectives are possible if your heart is not involved in the process.
When you speak at the lectern, on a stage or even at the head of the boardroom table, have you ever considered the imagery you use, thereby depicting your thoughts more effectively? Too often I hear those who speak so quickly and are so anxious to get it over with, that their words are said in haste with no qualifiers, no adjectives, and no adverbs. Your success in public speaking is not just your message but how well you deliver that message. Using imagery to create a more vivid picture of what you are saying is part of those dynamics.
While this particular problem can affect men, tension in the jaw is much more common in women. Women carry stress differently than men and it usually affects us in our shoulders, neck and/or jaw regions. If you are experiencing tightness or soreness in your jaw, it is more than likely that it is affecting your speech as well. Unfortunately, the problem will not go away on its own. The first thing you need to do is to learn how to get rid of the stress in these regions.
Speaking in monotone is more than just a problem. It is boring. There is no other way to say it. The problem with a monotone delivery is that it puts your audience to sleep and it does so very quickly. If actors were to speak in monotone, television, movies and theaters would not be one of our greatest forms of entertainment. The other problem if you speak in a monotone is that it gives the wrong impression to your listeners. It says that you do not care because no emotion is being seen, heard, or felt. I worked with a lovely woman by the name of Dawn.
How you feel effects how you speak, and, if you are feeling poorly, either physically or emotionally, it may be heard in your voice. Another situation that can affect your attitude in public speaking is if you are not pleased with the material you are presenting. If such is the case, then your displeasure with your presentation can have a negative affect on your attitude In lives plays or concerts, do you think every actor or every musician or singer is in the best of spirits for each and every performance? Absolutely not. But as they say in the business: The show must go on.
When clients tell me they want to be like Anthony Robbins or Zig Ziglar, my first question is why? Yes, I understand that they may want to be as famous or as rich or as talented, but why would they want to imitate either one of them?
Tired of repeating yourself? Not sure if mumbling is the problem? If you are asked to repeat yourself a lot, you may be soft-spoken, you may be speaking unclearly because of an accent, you may be talking too fast, or you may be a mumbler. It is also possible that some or all of the above affect your speech. If you are unsure if you mumble, a simple test would be to record yourself saying something you know from memory and then listen to the playback. What did you hear? Or better yet, what did you not hear?
If you have trouble making eye contact with your audience, I suggest you make every attempt to change that practice. A young lawyer with whom I was working would glance about the room, briefly looking at someone and then immediately glancing at someone else, never actually seeing any of us in his audience. At first, you would think he was making eye contact but as he continued in this pattern, you realized that he saw no one in his audience. A furtive glance tells your listeners that you have something to hide.